Saturday, October 26, 2019

Fergus Kelly - Gleaming Seams (Room Temperature)

I've been listening to Fergus Kelly's music for about a decade now and have found it consistently rewarding, his dark percussion/tape studies always very immersive, rich and unique to his sensibility. 'Gleaming Seams' might be my favorite yet. Centered around percussion (drums, metals, plastics, gongs and more), the ten pieces are embedded--sometimes thoroughly,  sometimes more gently and subtly--into webs of field recordings taking various forms, exterior (trams, skateboard park, random conversations) and interior (ATM machines, computer drives, etc.). As well, there are samples from other musics, including brass and orchestras, that glimmer through the dim, roiling haze.

The softly clanging metals that open 'Numb Burn' draw you in immediately. Just as you're settling in, things shift to a more irregular, quasi-rhythm, the drums attempting to stay afloat amidst backward tape and brass flourishes, buzzing electronics and more, a shifting mirror-like construction that leaves the listener at once disoriented and oddly satisfied. Kelly applies variations to this approach throughout, allowing the percussion to form a kind of core, the ancillary sounds swirling around at some points, adhering and forming their own new structures at others. Now and then, the electronics drift into quiet pulses, creating an almost unnoticed thread, loosely tying together the disparate sound worlds, occasionally bearing the slightest Balinese tinge. The balance between the acoustic and electronic, including the field recordings, is perfect; Kelly achieves a unity that's pretty rare. Each of the ten tracks works extremely well on its own and the whole leaves one sated and even a little moved, the darkness of the evoked soundscapes paradoxically offering some degree of nostalgia. A complicated, brilliantly conceived sound-world. Highly recommended.

Room Temperature @ bandcamp

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