Andrea Borghi - Vetrale (obs *)
Instrumentation for this solo disc is listed as, "modified turntable, elaborated glass discs, computer, effects" and the several handsome photos included on oversize cards depict a stylus and dirt-bestrewn platter. These lead one to anticipate a rougher go of things than is actually the case; perhaps the computer and "effects" leavened matters out a bit. Whatever the case, the sounds are very attractive, dense and multicolored. he six tracks all possess an elusive rotating quality as befits their origin, a cycling kind of hum beneath a fine sizzle. As a rough analogy, think of the better music produced by Gunter Muller and crew in the early oughts and throw in a few handfuls of gravel. Absorbing throughout, a handsome package and a very good recoding.
obs *
Tim Blechmann/Manuel Knapp - VIII (Nada)
Releases like this always present something of a quandary. Structurally, at heart, the music isn't very complex: more or less a sustained surge. It emerges, it grows, its internal elements seethe to the surface, interact and eventually subside. The juicy bits depend largely on the elements chosen and, ore pointedly, what transpires during their interaction, how surprising and/or beautiful a mix results. Here, Blechmann (laptop) and Knapp (electronics) offer up some choice morsels and lend them in a generally engaging, if unspectacular, manner. There's a nice soft/harsh edge to the sound--like sheets of metal rubbed flatly against one another, a very appealing audio bonbon and things eventually edge into a noisy territory à la, say, classic Voice Crack. It's an enjoyable ride though one might question its ultimate nutritional value.
nada
Note: posting may be spotty to non-existent for the next few weeks as I'll be back in the States for a visit and am not sure about my listening/writing opportunities while there.
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