Friday, April 27, 2018
Bruno Duplant - Chamber and Field Works (2015 - 2017) Another Timbre
A very enjoyable 2-disc set of works by Duplant performed by Taku Sugimoto and the Suidobashi Chamber Ensemble. Disc One is given over to three pieces with the group, a sextet and two quintets (Aya Naito, bassoon & voice; Hikaru Yamada, electronics; Masahiko Okura, soprano & contrabass clarinet; Sugimoto, electric guitar, bow, e-bow & bowed mandolin; Wakana Ikeda, flute, harmonica; and Yoko Ikeda, violin & viola). Surely a great deal of the successful realization of these works is due to the ensemble, which plays with wonderful sensitivity and awareness of subtle modulations. The pieces share certain characteristics, most clearly slowness, quietness and long tone duration. 'all that I learned and then forgot' (2015) has slowly descending tones, bending ever so slightly downward, delicately layered and sequenced. The second track, 'where our dreams get lost' (2017) is one where I suspect that the ensemble is doing the heavy lifting. I have no idea what the score for any of the pieces is like (save for the one on Disc Two), but here the long lines are single notes fairly close together; the concept sounds simple. But the performance is so flowing, so clear and, dare I say, heartfelt, that the emergent beauty more than belies the surface simplicity. There's a shift in textural content on 'a place of possibilities' (2017), a harsher violin, a voice, the winds sounding somewhat more agitated. The long tones are retained, but the atmosphere is more doubtful, an appropriate and effective tonic for the previous two compositions.
'lEttEr to tAku (field music for guitar)', which occupies the second disc, is a different story, the "score" being a letter sent by Dupont to Sugimoto. It's a solo piece for Sugimoto (guitar, small amplifier, bow, park) performed and recorded at Hanegi Park in Tokyo. He's made recordings in a similar vein before (I'm thinking of 'Live in Australia' and others) where he's played so sparingly that it's often difficult to discern his presence. Here, his sound is clear, foregrounded from the environment yet attached to it. Children, planes, cicadas and other sounds envelop the single guitar notes, sometimes short, more often allowed to hover. Somewhere after the midway point, Sugimoto briefly switches to the bow, creating sharp but gentle slivers of sound, slicing through the park, recalling Michael Pisaro's sine waves in his 'Transparent Cities' projects. Toward the end, the notes seem to come more often, small clusters, like leaves. A lovely performance, beautifully recorded.
An excellent release all around, possibly my favorite thing heard from Duplant thus far.